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Yet, no systematic and operational presentation of such potential flaws is available. To fill in this gap, this article proposes a check-list based on 7 criteria and applies them to Milano This application supports the cognitive value of our proposed checklist and suggests that the claims based on existing studies are highly discussible.

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The economic impact of Expo visitors: a realistic estimate. Many economic impact assessments of major events overestimate the benefits of such events because In reality, a more careful evaluation should consider only the spending that is additional to the area of investigation. In this paper, we focus on a recent event, Expo , and consider a single impact item, the impact of visitors.

This allows to better measure the economic impact of Expo on Italy. Moreover, the number of visits of foreigners appears lower than forecasted. It is not coincidental that Girolamo was devoted to the saint with whom he shared his name.

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He possibly even chose the church out of reverence for his name saint, whose eremitical life and profound learning may have inspired him. Thanks to the inscriptions at the base of the framed image of Saint Jerome, we can identify the four saints surrounding him: Saints Damasus and Eusebius appear on the left, with Saints Paula and Eustochium on the right.

"Jerome" in Italian

All four were contemporaries of Saint Jerome and corresponded with him. Paula and her daughter Eustochium received spiritual guidance from Jerome and emulated his life as a hermit. There are several saints called Eusebius, but the figure here is most likely Eusebius of Cremona, a disciple of Jerome who travelled with him to the Holy Land, where they encountered Paula and Eustochium. The angels hovering above them in the sky play musical instruments, the sound of which the worshipper is encouraged to imagine. License and download a high resolution image for reproductions up to A3 size from the National Gallery Picture Library.

This image is licensed for non-commercial use under a Creative Commons agreement.

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As a charity, we depend upon the generosity of individuals to ensure the collection continues to engage and inspire. Help keep us free by making a donation today. You must agree to the Creative Commons terms and conditions to download this image. The S. Gerolamo Altarpiece , named after the saint prominently depicted at its centre and the church where it originally stood, is among the most important works of the Florentine painter Francesco Botticini.

The artist was an exact contemporary of Sandro Botticelli, with whom he may have trained in the workshop of Andrea del Verrocchio.

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  • The fourth-century theologian Saint Jerome Gerolamo or Girolamo in Italian is best known for his translation of the Bible from the original Hebrew and Greek into Latin. During the fifteenth century a cult dedicated to the saint found many followers called Hieronymites , leading to the establishment of numerous religious houses across the Italian peninsula. This altarpiece comes from their church in Fiesole, a small town in the hills above Florence. Its patron, the Florentine patrician Girolamo di Piero di Cardinale Rucellai, can be seen kneeling to the left of the framed image of Saint Jerome, opposite his son.

    Gerolamo Altarpiece is an important work of the Florentine painter Francesco Botticini, an exact contemporary of Sandro Botticelli. It is thought that Botticini trained in the workshops of some of the leading artists in Renaissance Florence, including that of Andrea del Verrocchio, before establishing himself as a sought-after supplier of devotional paintings and altarpieces.

    The altarpiece — which was acquired by Sir Charles Eastlake, first Director of the National Gallery, during his first visit to Italy in — was among the very first early Italian paintings to arrive at the National Gallery. Gerolamo in Fiesole, hence its name. Saint Jerome Gerolamo or Girolamo in Italian is prominently depicted in the separately framed image at the centre of the altarpiece.

    Jérôme VOISIN: presentation of the clarinet YCL-CSGIII (with Italian subtitles)

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